PROJECT
1. HeyCup 2025
HeyCup is a sensory-driven community project that uses touch, sight, and emotional cues to help people reconnect with their bodies, surroundings, and everyday presence. Through interactive workshops, it reawakens perception in a fast-paced, overstimulated world.
As part of the HeyCup project, I developed Sorry Stranger, a workshop focused on visual and spatial attention. It invites participants to observe a stranger from a distance, reflect on their presence, and reconsider how we move through shared public spaces. To support this experience, I designed a full set of workshop materials: a fold-out folder, detective card, task card, route map, observation record sheet, free creation page, and a poster. Together, these tools guide participants from external observation to internal reflection.
2. Inside Cake 2025
Inside Cake is a tactile picture book designed to awaken tender emotions through the power of touch. In a fast-paced world, it invites you to slow down and reconnect—with yourself, with warmth, with softness. Each page reveals the textures of raw ingredients—slippery egg, sparkling sugar, gentle milk—transforming the process of baking into a sensory journey of comfort and healing. Like a slice of cake for the soul, this book offers a moment of sweetness in your hands.
3. Fading Threads 2025
Clothing carries time and memory, yet once forgotten and discarded, does it still exist?
Fading Threads explores the philosophical tension between material, memory, and perception. Through a garment memorial wall and AI-generated farewell letters, the installation invites viewers to mourn what’s been lost and reconsider the value we assign to objects. Forgetting should not mark the end—perhaps, in remembering, we can choose differently.
4. Under the blocks 2024
Under the Blocks is a conceptual installation which inspired by my favorite artist, Kazimir Malevich, and his Suprematist philosophy. In The Objective World, he wrote: “The artist can only be a creator only when the forms in his picture have nothing in common with nature.”
Typically, artistic creation begins with the observation of reality. Yet this very act is already filtered through consciousness, inevitably turning into an imitation of the visible world. Through this interactive installation, I aim to challenge that convention—inviting sensation to precede consciousness, and allowing meaning to emerge from pure visual and tactile engagement.
5. Hello World 2024
Hello World is a personal project composed of photographs I took during my travels through Paris, Morocco, Switzerland, and Austria. I transformed these images into a series of pseudo-postcards, each marking the time and place it was taken. The title “Hello World” is both a record of where I’ve been and a quiet gesture of greeting — a way of waving to the world as I pass through it.
6. Gap 2024
Following a decorative print pinned to the wall, I began to reflect on what truly defines a space—gaps, distances, separations. Facing a mirror, I filmed a continuous sequence and turned it into a flip book. From left to right, from close-up to distant, the shifting distances between me and the mirror, between one page and the next, fold into each other like layers in a four-dimensional space. Through translucent tracing paper, space appears to collapse and expand—refracted, multiplied, and quietly suspended.
7. Namika Sanitizer Package Design
Namika is a Chinese hygiene products company committed to elevating daily care through thoughtful design. I was invited to design the packaging for one of their premium hand sanitizer products—a portable spray that combines function with refined aesthetics.
This product comes in three scents: Floral (elegant, feminine), Unscented (minimal, unisex), and Rain (fresh, soothing). The visual system features low-saturation tones, delicate graphic patterns, and tactile materials such as matte art paper with UV varnish, aiming to express elegance, comfort, and quality.
The project focused on the design of the bottle label and outer packaging, both carefully crafted to reflect Namika’s vision of understated sophistication in everyday hygiene.
8. Test Project
Exhibition invite postcard
Alfred Jensen, 1991
Pace Gallery
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© CARGO TEST 2027